ISAIAH THOMAS
Revolutionary War Patriot and publisher of the Massachusetts Spy newspaper.

Boston, 1775
The events of Isaiah Thomas’s activities in Boston between 1770 and 1775, relating to the developments of the American Revolutionary War, were imagined in these paintings by David Wells Roth. This series was commissioned by the historic landmark The Union Oyster House, in Boston and are displayed in the Heritage Room.  The images of the paintings were made into prints with a description describing these events.

Each print is signed by the artist.

Isaiah Thomas full print series, 6 prints.

 

A Tribute to Isaiah Thomas.

Set of 6 Giclee prints, 19 x 13 inches. 
Unframed.  $415.00
Each print is signed in pencil

Cat. no. 1137

Full set of 6 prints of the Isaiah Thomas print series.  By purchasing this complete series, the cost of each print is discounted by 30%.





1. The Stoker of the Rebellion

 

A Tribute to Isaiah Thomas.

Giclee print, 19 x 13 inches. 
Unframed.  $75.00
signed in pencil

Cat. no. 1131

The text within the print:

It was partially through his newspaper, 'The Massachusetts Spy', and a host of his other publications that many of the colonists in New England learned the facts of the oppressive conditions imposed upon them by the ruling British authorities. More than once, Thomas risked his life to inspire these notions to his fellow patriots through his printing. Because of the numerous gatherings of founding patriots and writings that were bold challenges to the British ruling authority, this print shop earned a deserved reputation as "The Sedition Foundry."




2. The Sedition Foundry

 

A Tribute to Isaiah Thomas.

Giclee print, 19 x 13 inches. 
Unframed.  $75.00
signed in pencil

Cat. no. 1132

The text within the print:

Between the years of 1770 - 1775, Isaiah Thomas ran his printing office from the corner of Union Street and Marshall Lane in Boston. It was called by the British authority, "The Sedition Foundry", because of the rebellious people who gathered there and mainly the newspaper he printed there called "The Massachusetts Spy". Depicted here is Isaiah Thomas, at his press "The Old No. 1" and some of the people involved in the paper, notably, John Hancock, seated to his right and Paul Revere seated near the fireplace.




3. The Summons, Challenging Freedom of Speech

 

A Tribute to Isaiah Thomas.

Giclee print, 19 x 13 inches. 
Unframed.  $75.00
signed in pencil

Cat. no. 1133

The text within the print:

Funded by John Hancock, Isaiah Thomas started to shift his newspaper’s editorial political views from “neutral and open to all parties” to supporting only the side of the patriots, thus openly attacking the British authorities. November the 14th, 1771, under the pseudonym of Mucious Scaevola a writer for Thomas, Joseph Greenleaf, wrote a scathing article attacking Governor Hutchinson, the acting Governor of Boston at that time. Thomas was then summoned to appear before the Provincial Council, but refused to go due to “pressure of business”




4. Midnight Flight to Freedom

 

A Tribute to Isaiah Thomas.

Giclee print, 19 x 13 inches. 
Unframed.  $75.00
signed in pencil

Cat. no. 1134

The text within the print:

Late into the night on April the 16th, 1775, Isaiah Thomas dismantled his printing office, and with the help of Dr. Warren and Timothy Bigelow (a Worcester Whig) sent his press and types by ferry across the Charles River to Charles Towne and then to Worcester where they have been preserved in The American Antiquarian Society, later established by Isaiah Thomas in 1812.




5. Tidal Passage to Liberty

 

A Tribute to Isaiah Thomas.

Giclee print, 19 x 13 inches. 
Unframed.  $75.00
signed in pencil

Cat. no. 1135

The text within the print:

On April 19th, before dawn, Isaiah Thomas and fellow revolutionary, Dr. Joseph Warren, crossed the Charles River to Charlestown. There they met with other revolutionaries, and then Thomas “hastened to Lexington where, according to one of his friends, he joined the militia at daybreak”.
The view is from the Charles River, north of Boston looking east with Mill Pond on the right. Across Mill Pond, through the dawn mist is Faneuil Hall. In the center foreground is Gee’s ship building yard, and beyond that is the steeple of Old North Church and the windmill of Corps Hill. On the horizon, British warships are poised for the impending invasion.




6. Rebuking The Revolutionary Flames in Charlestown

 

A Tribute to Isaiah Thomas.

Giclee print, 19 x 13 inches. 
Unframed.  $75.00
signed in pencil

Cat. no. 1136

The text within the print:

On June 17th, 1775 the   British attacked Charlestown. The cannonading of Charlestown   had begun. The stunned residence of Boston watched in disbelief, a half mile away as the British cannons from Copps hill and war ships stationed in the harbor rained heated cannon balls upon the town, setting it ablaze, thus setting the groundwork for the battle that was to prove that the Americans could fight hard against the professional British soldiers.  Though the Americans lost the battle, the tide turned in their favor. This view of the flames is seen from Union Street as British soldiers that were stationed in the commons make their way to battle at Bunker Hill.